Thursday, September 30, 2010

Third project for illustration 2010

Media : Color Pensel and Marker.
technique : rendering

Anugerah Dekan 30.09.2010

Saturday, September 25, 2010

Watercolor technique by fazosin

Watercolor (US) or watercolour (UK), also aquarelle from French, is a painting method. A watercolor is the medium or the resulting artwork, in which the paints are made of pigments suspended in a water soluble vehicle. The traditional and most common support for watercolor paintings is paper; other supports include papyrus, bark papers, plastics, vellum or leather, fabric, wood, and canvas. In East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean, and Japanese painting it has been the dominant medium, often in monochrome black or browns. India, Ethiopia and other countries also have long traditions. Fingerpainting with watercolor paints originated in China.
Although watercolor painting is extremely old, dating perhaps to the cave paintings of paleolithic Europe, and has been used for manuscript illumination since at least Egyptian times but especially in the European Middle Ages, its continuous history as an art medium begins in the Renaissance. The German Northern Renaissance artist Albrecht Dürer (1471–1528) who painted several fine botanical, wildlife and landscape watercolors, is generally considered among the earliest exponents of the medium. An important school of watercolor painting in Germany was led by Hans Bol (1534–1593) as part of the Dürer Renaissance.
Albrecht Dürer, Young Hare, 1502, Watercolor and body color, Albertina, Vienna.

Despite this early start, watercolors were generally used by Baroque easel painters only for sketches, copies or cartoons (small scale design drawings). Among notable early practitioners of watercolor painting were Van Dyck (during his stay in England), Claude Lorrain, Giovanni Benedetto Castiglione, and many Dutch and Flemish artists. However, botanical and wildlife illustrations are perhaps the oldest and most important tradition in watercolor painting. Botanical illustrations became popular in the Renaissance, both as hand tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on vellum or paper. Botanical artists have always been among the most exacting and accomplished watercolor painters, and even today watercolors—with their unique ability to summarize, clarify and idealize in full color—are used to illustrate scientific and museum publications. Wildlife illustration reached its peak in the 19th century with artists such as John James Audubon, and today many naturalist field guides are still illustrated with watercolor paintings.
[edit] English school

Several factors contributed to the spread of watercolor painting during the 18th century, particularly in England. Among the elite and aristocratic classes, watercolor painting was one of the incidental adornments of a good education, especially for women. By contrast, watercoloring was also valued by surveyors, mapmakers, military officers and engineers for its usefulness in depicting properties, terrain, fortifications or geology in the field and for illustrating public works or commissioned projects. Watercolor artists were commonly brought with the geological or archaeological expeditions funded by the Society of Dilettanti (founded in 1733) to document discoveries in the Mediterranean, Asia and the New World. These stimulated the demand for topographical painters who churned out memento paintings of famous sites (and sights) along the Grand Tour to Italy that was traveled by every fashionable young man or woman of the time. In the late 18th century, the English cleric William Gilpin wrote a series of hugely popular books describing his "picturesque" journeys throughout rural England and illustrated with his own sentimentalized monochrome watercolors of river valleys, ancient castles and abandoned churches; his example popularized watercolors as a form of personal tourist journal. The confluence of these cultural, engineering, scientific, tourist and amateur interests culminated in the celebration and promotion of watercolor as a distinctly English "national art". Among the many significant watercolor artists of this period were Thomas Gainsborough, John Robert Cozens, Francis Towne, Michael Angelo Rooker, William Pars, Thomas Hearne and John Warwick Smith. William Blake published several books of hand tinted engraved poetry, illustrations to Dante's Inferno, and also experimented with large monotype works in watercolor.
Jedburgh Abbey from the River, by Thomas Girtin 1798-99 (watercolor on paper).

From the late 18th century through the 19th century, the market for printed books and domestic art contributed substantially to the growth of the medium. Watercolors were the used as the basic document from which collectible landscape or tourist engravings were developed, and handpainted watercolor originals or copies of famous paintings contributed to many upper class art portfolios. Satirical broadsides by Thomas Rowlandson, many published by Rudolph Ackermann, were also extremely popular.

Pastel drawing

Pastel is an art medium in the form of a stick, consisting of pure powdered pigment and a binder. The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation.Pastel sticks or crayons consist of pure powdered pigment combined with a binder. The exact composition and characteristics of an individual pastel stick depends on the type of pastel and the type and amount of binder used. It also varies by individual manufacturer.

Dry pastels have historically used binders such as gum arabic, gum tragacanth. Methyl cellulose was introduced as a binder in the twentieth century. Often a chalk or gypsum component is present. They are available in varying degrees of hardness, the softer varieties being wrapped in paper.The pastel medium was first mentioned by Leonardo da Vinci in 1495.

Artists such as Maurice Quentin de La Tour and Rosalba Carriera have been using pastels to create masterpieces as far back as 1703.

During the 18th century the medium became fashionable for portrait painting, used in a mixed technique with gouache.

In the United States, initially pastels only had occasional use in portraiture. However in the late nineteenth century, pastel (like watercolor) became more popular.[2] The Society of Painters in Pastel was founded in 1885. The Pastellists, led by Leon Dabo, organized in New York in 1910.

Pastels have become popular in modern art because of the medium's broad range of bright colors.The 18th-century painters Maurice Quentin de La Tour (see above portrait) and Rosalba Carriera are especially well known for their pastel technique. Jean Baptiste Simeon Chardin's 1699-1779 pastel portraiture and still life paintings are much admired.

The 19th-century French painter Edgar Degas was a most prolific user of pastel and its champion.

Mary Cassatt, introduced the Impressionists and pastel to her friends in Philadelphia and Washington, and helped popularize both in the USA.
“ By far the most graphic and, at the same time, most painterly wielding of pastel was Cassatt's in Europe, where she had worked closely in the medium with her mentor Edgar Degas and vigorously captured familial moments such as the one revealed in Mother Playing with Child (22.16.23).
(Metropolitan Museum of Art - Time Line of Art History / Nineteenth Century American Drawings) ”

Whistler produced a quantity of pastels around 1880, including a body of work relating to Venice, and this probably contributed to the growing enthusiasm for the medium. In particular, he demonstrated how few strokes were required to evoke a place or an atmosphere (example Note in Pink and Brown (17.97.5).

Modern notable artists who have worked extensively in pastels include Fernando Botero, Francesco Clemente, Daniel Greene, Wolf Kahn, and R. B. Kitaj.

new illustration

Friday, September 3, 2010

About Me!!!!!


Nama : Nick Santiego Rivaldo Williamson.
Umur : 25 tahun.
Bangsa : Mixed (Melayu + Mexico + Latino + Japan + Italy)
Asal : Italy menetap diMalaysia( Shah Alam ) pada tahun 1997.
Pendidikan : Universiti Teknologi MAra Malaysia.
Ijazah Sarjana Muda ( Fashion Design ) ( 2008 - Now )
Diploma in Fine Art.(2003 - 2006 )
Bahasa : Boleh bertutur 5 bahasa.
Skill : Good in Drawing, Adobe Photoshop, Much more.

Salam Aidilfitri (2010) fazo ucapkan to all my friend. Harap tahun ini lebih bermakna dari tahun sebelumnya. Memang bersyukur sangat tahun nie kerana dapat menyertai Gaya Persona. Rancangan ini akan disiarkan di TV2 pada jam 10.00 pagi bermula hari Isnin sehingga Khamis. Kepada pengemar fesyen tanah air jangan lupa untuk saksikan kami ( Fazosin, Zeed Jameel, Akmal, Nanie,YUs,Ijat, Adib adn Noreen Hashim) as a fashion designer diTV2 sbg peserta Gaya Persona. Saksikan k.....